Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.
1、《莱奥诺拉的告别》讲述的是什么故事?
咪咕电影网网友: Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.
2、《莱奥诺拉的告别》这部剧中的台词,你怎么看?
神马电影网网友:最近《莱奥诺拉的告别》上映了,没想到制作方非常地慷慨,一来就放全集,观众们可以一口气从第一集看到大结局。这部剧中演员们的高颜值是一大亮点之外,它里面的台词也非常的搞笑啊!台词沙雕中带着可爱。
3、《莱奥诺拉的告别》有多少集?
被窝电影网友:正片。具体总集数可以去百度问答看看
4、《莱奥诺拉的告别》几年几月几日播出
青苹果影院网友:截止到2022 ,《莱奥诺拉的告别》更新至正片。
5、哪个网站可以免费看正版《莱奥诺拉的告别》
艾玛影院网友:除了优酷视频视频软件之外你还可以去爱奇艺、芒果tv、爱佳剧影院、百度视频等平台去看正版视频。
6、在《莱奥诺拉的告别》这部剧中,你觉得娜塔丽·拉布蒂·戈麦斯,马西莫·波波利齐奥,法比齐奥·费拉卡尼的演技怎么样?
影视大全网友:最近有娜塔丽·拉布蒂·戈麦斯,马西莫·波波利齐奥,法比齐奥·费拉卡尼等演员主演的剧情 影视一经播出就受到了很多观众的欢迎和认可,这部剧情 影视里面,演员的演技都是非常值得肯定的,我觉得娜塔丽·拉布蒂·戈麦斯,马西莫·波波利齐奥,法比齐奥·费拉卡尼在里面的演技非常的好,他能够去把握这个角色所要表达的情感,向观众展现出更好的作品
7、《莱奥诺拉的告别》剧情片 演员有哪些,导演是谁?
人人影视网友:有以下演员主演:娜塔丽·拉布蒂·戈麦斯,马西莫·波波利齐奥,法比齐奥·费拉卡尼 ,导演是保罗·塔维亚尼 。
8、手机端软件app怎么免费看《莱奥诺拉的告别》剧情片
秋秋影视网友:您可以用手机打开百度APP在搜索框里输入:莱奥诺拉的告别手机在线观看免费,就可以找到免费正版播放资源了。手机免费看莱奥诺拉的告别网址:http://www.mdxming.com/vod/112339.html,这个网站免费无广告。
9、哪个软件可以看莱奥诺拉的告别
小草影视网友:很多地方都可以看呀,我是在淘剧影院上看的,打开APP后直接搜索“莱奥诺拉的告别”就能看了。
10、《莱奥诺拉的告别》评价怎么样?
豆瓣电影影评:我其实是想给莱奥诺拉的告别4颗星的,但是稍微回味了一会儿,觉得它不值,还是三星半吧。其实,我一向对剧情片非常宽容,甚至可以大言不惭的说,在国内和国际制作水平差距极大的情况下,我就是“双标”——都不在一个起跑线上,根本没法比呀。所以经常出现国外影片堪堪尚可,我却只给三星及格,剧情片只是稍微拍出了一点点好看,我就会给三星及以上,如果演员演技爆炸或者剧本极佳,我也不会吝啬我的5星,但是如果按照给国外影片打分的标准,这些剧情片可能通通都只能有三四颗星以下。
丢豆网影评:剧情很流畅,人物也很丰满,节奏把握的很好,很有年代感。没有过多煽情,每个人物都发挥了作用,细节也很到位。整个影片三观也很正,主演员们感情真挚,总体来说,可以和朋友一起看,推荐!!!
mtime时光网影评:第一次这么喜欢一部剧的女主角这个角色 聪明 独立 淡然 很有自己的主见 特别是略微带有的那一点狡黠 真是可爱极了!
烂番茄影评:男女主角真是清新可爱,看了之后,让我蠢蠢欲动,非常想早恋,可惜已过了早恋的年龄,o(╯□╰)o